DocumentMetadataAuthor(s)Fisher, MarkTitleGothic Oedipus: Subjectivity and Capitalism in Christopher Nolan’s Batman BeginsItem TypejournalArticle"KeyMTATLCY4Publication Year2006Urlhttp://www.english.ufl.edu/imagetext/archives/v2_2/fisher/Date2006Issue2Volume2Short TitleGothic OedipusAttachments Share your love Previous Articles Graphic Novels Explore an (Un-)Holy Land Next Articles Teeth, Sticks, and Bricks: Calligraphy, Graphic Focalization, and Narrative Braiding in Eddie Campbell’s Alec