From the parody to the propaganda. The anticolonial resistance seen by the Vietnamese graphic designers from the 1950s
The Ear and the Nose in literary parodies. The “”Hymn of Deafness”” by du Bellay and “”The Nose”” by Gogol
The gothic as semiotic disruption: Layers and levels of terror and the abject in mary wilkins Freeman’s “”The Wind in the Rose-bush””