A declamation for parody. Vespa’s Iudicium coci et pistoris (Anth. Lat. 199 R. = 190 Shackleton Bailey)
The demystification of the myth by an illustrated Baroque: Antonio de Zamora’s Don Juan and the social reason for his salvation
Adaptations, culture-texts and the literary canon: On the making of nineteenth-century ‘classics’
