Stereotypes of class, ethnicity and gender in contemporary French popular comedy: from Bienvenue chez les Ch’tis (2008) and Intouchables (2011) to Qu’est-ce qu’on a fait au Bon Dieu ? (2014)
From loose to boxed fragments and back again. Seriality and archive in Chris Ware’s Building Stories
From the comic book to the real world: The principal-agent problem and moral hazards when Iron Man flies over your backyard
