The “not ultimate” goal: the Defense of Comic Art in Giovan Battista Andreini’s Prologo in dialogo fra Momo e la Verità
The end of the working class and the tragic and ridiculous perversion of industry: Paolo Volponi’s Le mosche del capitale (1974-1989)
Why should speech-language pathologists read graphic novels? A commentary on humanities as a pathway to improving patient-centred care
