“In a Romantic Way, Not Just a Friend Way!”: Exploring the Developmental Implications of Positive Depictions of Bisexuality in Alice Oseman’s Heartstopper
The influence of local and national press on the comic publishing industry in the Polish People’s Republic between 1956 and 1989
‘Sadists and Readers of Horror Comics’: British Post-War Identity in Viewer Responses to the BBC’s Nineteen Eighty-Four (1954)
Visualizing Hegemony and Resistance: A Multimodal Critical Discourse Analysis of “Covid-19 Hero” on Chinese Social Media
