“I think that fun, poppy, feminine, colourful stories can change the world”: an interview with Sarah Kuhn
A jolly good thirteenth-century romp: Galavant, architextuality, and the intertextual performance of race, gender, and social class in a medievalist musical comedy for television
An approach to orality in comics: The case of Idiotizadas. Un cuento de Empoderhadas and its translation into Portuguese
