Design of safety warnings and risk perception inducement: a comparative study between safety signs and safety comics in construction workplaces
Relief Theory and Drama: A Freudian Reading of W. H. Andrews and Geoffrey Dearmer’s Farce, The Referee
Beyond the written word: Investigating Post-Colonial identity through ballooned words and drawn texts in Sarnath Banerjee’s graphic novels
U Ba Kyi’s Neo-Traditionalist Comics Style: At the Crossroads of Myanmar’s Buddhism, Arts and Colonial History
Co-producing composite storytelling comics: (counter) narratives by academics of working-class heritage
