Representing the “unrepresentable”: The unpredictable life of memory and experience in Waltz with Bashir
Remembering Why We Once Feared the Dark: Reclaiming Humanity Through Fantasy in Guillermo del Toro’s Hellboy II
Émile Cohl : un iconotexte iconoclaste?:_Intermédialité,_série_culturelle,_hybridation_et_histoire_du_cinéma_d’animation
