Comic-chronotope in Julio’s Day: Gilbert Hernandez’s explorations of the form-shaping ideologies of the medium
A Bakhtinian Approach to Two Graphic Novels: The Individual in Art Spiegelman’s Maus and Chester Brown’s Louis Riel
Graphic facilitation, sketchnoting, journalism and ‘The Doodle Revolution’: New dimensions in comics scholarship
Of fumetti and graphic novels: Film adaptation as a reflexive act – The Bunker of the Last Gunshots and the Autodafé imprint (France, 1980s)
