DocumentMetadataAuthor(s)Otto, DanielaTitleZur Symbolik der Maske und Genderpolitik des Bösen in Christopher Nolans The Dark Knight RisesItem TypejournalArticle"KeyDEF9YJUDPublication Year2012Urlhttp://www.medienobservationen.lmu.de/artikel/kino/kino_pdf/otto_dark.pdfDate2012-08-13Attachments Share your love Previous Articles How the Yellow Kid Was Born: The Man Who Created It Tells for the First Time Next Articles The Visceral Politics of V for Vendetta: On Political Affect in Cinema
