‘A pleasant tragicomedy, the cat being scap’t’?: William Sampson’s The Vow Breaker (1636) and the instability of genre
When an energy drink exalts a table tennis hero: Brand placement and subvertising in the manga Ping-Pong Dash!! by Honda Shingo
“How is these kids meant to make it out the ghetto now?” Community cohesion and communities of laughter in British multicultural comedy